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GUATACA NIGHTS NEW YORK PRESENTS GONZALO GRAU “PLURAL” FEAT TIM RIES (THE ROLLING STONES)

gonzalo-grau-200x200

Date/Time
Date(s) - 04/28/2015
8:30 PM

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Ingredients:
3 packed tablespoons of J.S. Bach, 1 1/2 cups of Fania, 1 whole packet of Camarón and Paco de Lucía, a pinch of Guaco, 1 large bag of choral music, 3 whole sticks of Venezuelan folklore, 10 pounds of Venezuela’s National Youth Orchestra (a.k.a. “el sistema”), 1 infusion of Maroa and Banda Sigilosa, 1 3/4 teaspoons of early music, 8 drops of Chick Corea, 1/2 gallon of Timba Cubana, 1 cello, 1 Venezuelan cuatro, 1 piano, 1 viola da gamba, lots of percussion, a little bit of voice and a small box of “Grau-Palacios” DNA.

Preparation:
Throw all the ingredients into a large pan. Mix everything carefully, slowly and stirring constantly over low heat. Taste the mix every few years. Season to your present-time preference, and never stop adding new ingredients.

Began his musical studies at the age of three in Caracas. Along his musical journey he developed skills in many instruments, from the viola da gamba and the cello to the flamenco cajón and his principal instrument, the piano.

A Berklee College Suma Cum Laude, Gonzalo has established himself as a multi-instrumentalist and his varied credits include performances with Venezuelan music projects like Maroa, Schola Cantorum de Venezuela, Camerata de Caracas and the Simón Bolivar National Youth Orchestra, jazz icon Maria Schneider and the Latin jazz giant Timbalaye. As a music director he leads two projects of his own, “Plural” (Latin jazz-Flamenco-Venezuelan fusion) and “La Clave Secreta” (salsa fusion), nominated for the 2008 Grammys in the Best Tropical Album category. As a recording artist, Grau has participated in over eighty productions that bridge both classical and popular music worlds.

His most recent productions include the studio recording of Golijov’s La Pasión según San Marcos (winner of the ECHO award 2010), the album “México” of Rolando Villazón (winner of the ECHO award 2011), and Nazareno with pianists Katia and Marielle Labeque, all released by the German label Deutsche Grammophon. Also the production of West Side Story with the Labeque sisters (winner of the Choc the Classica) under KLM label.

Wearing his composer and arranger hat, his achievements include composition collaborations alongside Osvaldo Golijov for the opera Ainadamar and La Pasión Según San Marcos. Original works include the overture Pregunta y Respuesta commissioned by the Atlanta Symphony (premiered in March 2008), Café con Pan, commissioned by the Chicago Symphony for the MusicNow concert series (premiered in November 2008), Nazareno (suite for two pianos and full orchestra), commissioned by pianists Katia & Marielle Labeque (premiered in January 2010), the oratorio Aqua, commissioned by the Bach Academy International, winner of the European Composer Award 2011, award given by the Young Euro Classic Festival in Berlin (premiered in August 2011); Viaje, fantasia for full-orchestra and “Latin ensemble”, commissioned by the Boston Landmarks Orchestra (premiered in June 2012), and Fantasía de Guayaba Habanera, violin concerto commisioned by Johnny Gandelsman and the Community MusicWorks (premiered in May 2013).

Price
$0.00


BUY TICKETS

WebsiteFacebook / Twitter

Ingredients:
3 packed tablespoons of J.S. Bach, 1 1/2 cups of Fania, 1 whole packet of Camarón and Paco de Lucía, a pinch of Guaco, 1 large bag of choral music, 3 whole sticks of Venezuelan folklore, 10 pounds of Venezuela’s National Youth Orchestra (a.k.a. “el sistema”), 1 infusion of Maroa and Banda Sigilosa, 1 3/4 teaspoons of early music, 8 drops of Chick Corea, 1/2 gallon of Timba Cubana, 1 cello, 1 Venezuelan cuatro, 1 piano, 1 viola da gamba, lots of percussion, a little bit of voice and a small box of “Grau-Palacios” DNA.

Preparation:
Throw all the ingredients into a large pan. Mix everything carefully, slowly and stirring constantly over low heat. Taste the mix every few years. Season to your present-time preference, and never stop adding new ingredients.

Began his musical studies at the age of three in Caracas. Along his musical journey he developed skills in many instruments, from the viola da gamba and the cello to the flamenco cajón and his principal instrument, the piano.

A Berklee College Suma Cum Laude, Gonzalo has established himself as a multi-instrumentalist and his varied credits include performances with Venezuelan music projects like Maroa, Schola Cantorum de Venezuela, Camerata de Caracas and the Simón Bolivar National Youth Orchestra, jazz icon Maria Schneider and the Latin jazz giant Timbalaye. As a music director he leads two projects of his own, “Plural” (Latin jazz-Flamenco-Venezuelan fusion) and “La Clave Secreta” (salsa fusion), nominated for the 2008 Grammys in the Best Tropical Album category. As a recording artist, Grau has participated in over eighty productions that bridge both classical and popular music worlds.

His most recent productions include the studio recording of Golijov’s La Pasión según San Marcos (winner of the ECHO award 2010), the album “México” of Rolando Villazón (winner of the ECHO award 2011), and Nazareno with pianists Katia and Marielle Labeque, all released by the German label Deutsche Grammophon. Also the production of West Side Story with the Labeque sisters (winner of the Choc the Classica) under KLM label.

Wearing his composer and arranger hat, his achievements include composition collaborations alongside Osvaldo Golijov for the opera Ainadamar and La Pasión Según San Marcos. Original works include the overture Pregunta y Respuesta commissioned by the Atlanta Symphony (premiered in March 2008), Café con Pan, commissioned by the Chicago Symphony for the MusicNow concert series (premiered in November 2008), Nazareno (suite for two pianos and full orchestra), commissioned by pianists Katia & Marielle Labeque (premiered in January 2010), the oratorio Aqua, commissioned by the Bach Academy International, winner of the European Composer Award 2011, award given by the Young Euro Classic Festival in Berlin (premiered in August 2011); Viaje, fantasia for full-orchestra and “Latin ensemble”, commissioned by the Boston Landmarks Orchestra (premiered in June 2012), and Fantasía de Guayaba Habanera, violin concerto commisioned by Johnny Gandelsman and the Community MusicWorks (premiered in May 2013).